Lately, I've fallen in love with Ivor Novello, which sort of jumped off my love for Buster Keaton. All those early film sorts, like Valentino and Astaire and the lot amaze me so much -- and are pretty easy on the eyes. I think it must be how emotive their faces are that I've got so wrapped up in drawing them lately. All these drawings ended up shaping the lead character in the manuscript I've got in super-duper-rough draft. Hope you like my little retrospective here.